Friday, September 16, 2011

Before Ray Lewis' first game at Miami, he proclaimed his intent to be the greatest Hurricane ever.
When he arrived at the Ravens' training facility as a 20-year-old first-round pick in 1996, he told those he shook hands with that he intended to be the best player in NFL history.
More than 15 years later, there are no more personal accolades to lay claim to.
Lewis is a Super Bowl MVP. He's a 12-time Pro Bowler and a two-time NFL Defensive Player of the Year.  He's widely regarded as one of the best defensive players of all-time and a lock to be a first-ballot Hall of Famer when he retires.
But with the end of Lewis' career inching closer and closer (the seemingly ageless one said he can't imagine playing past 37 and is now 36), he doesn't view his career through the lens of those accomplishments anymore.
Lewis is in the process of writing his epilogue. He wants to be remembered as something so much grander and something that many people refuse to acknowledge.
"Anybody can be successful," Lewis said, his eyes blazing with their usual intensity. "But when you talk about making a true statement or leaving a legacy on this earth, look back at the people you affected."
Lewis became a locker room leader almost instantaneously in Baltimore. As his fame grew, he became "The Godfather" to players around the NFL. Now Lewis is a shepherd to the entire city of Baltimore and is reaching nationally.
"That's what I believe the greatest legacy is," Lewis said.
"Once you get done playing football, it's what your impact is in communities around this world. When your name is spoken, what do people think about? For me, I want it to be that I'm always trying to help somebody."

'The Godfather'

Lewis can't pinpoint a time when his philanthropic roots took hold. It's just the way his mother raised him, he says.
Lewis' father, Elbert Ray Jackson, wasn't there when Lewis was born to Sunseria Smith. By the time he was six years old, Lewis' father had faded almost entirely out of his life.
Lewis grew up in the Washington Park projects before his mother's hard work lifted the family into a single-family home in Lakeland, Fla. There, the eldest Lewis served as the dad and protector of his younger brother and three sisters.
"Growing up very, very poor, we always had to find different ways to make it for each other. It was not just thinking about you all the time. It was thinking about somebody else," Lewis said.
"I didn't have nothing. I've always looked for that little inch of help, and I never got it outside of the things I learned myself. So me giving back is telling somebody, 'You don't have to do it the way I did it, because everybody doesn't make it out of that.'"






Once Lewis reached the NFL, his powerful voice and passion immediately made him the Ravens' locker room leader.
In 2000, he took rookie running back Jamal Lewis under his wing. A few years later, it was safety Ed Reed, who moved into Lewis' home to soak up all that he could. Now, Lewis' pet project is running back Ray Rice, who had his locker moved from one side of the room to right next to Lewis in the far corner.
Many players around the NFL have single-mother backgrounds similar to "Big Ray" and "Little Ray," whose father was gunned down in the street when he was just 1 year old. Lewis serves as that missing piece for a lot of them.
"With what he's been through in his life, he's a living legacy," Rice said. "To be around a guy like that every day, to share the laughs, the many tears, it's priceless. He's like my big brother, giving me advice and pointing me in the right direction."
It's not uncommon for a player (particularly younger ones) on the opposing team to approach Lewis during a game and ask if they can speak to him about their personal lives. They often refer to him as "The Godfather."
Lewis estimates that he has collected literally hundreds of players' phone numbers and could name at least two or three players on each team that he mentors on a regular basis.
His frequent caller list includes Raiders defensive end Richard Seymour, Patriots wide receiver Chad Ochocinco, Eagles quarterback Michael Vick, Cardinals wide receiver Larry Fitzgerald, Eagles cornerback Nnamdi Asomugha and, recently, Raiders quarterback Terrelle Pryor.
Lewis also exchanges calls and texts with NBA superstars LeBron James and Carmelo Anthony, a Baltimore native.
One player Lewis has particularly grown close to is San Francisco 49ers middle linebacker Patrick Willis, the player pundits say will be Lewis' successor.
Willis grew up idolizing Lewis and dons his No. 52. Lewis calls Willis "Young Lion," and Willis calls Lewis "Mufasa," the sage king from Disney's "The Lion King."
"They fear him on the field, but off the field, the guy I know is a good human being," Willis said. "That's how I'd like to be perceived as well. He's a man that people look up to and people respect."
But it's not just players that Lewis most wants to help. It's people who need him far more.

'What Are You Doing Out Here?'

Win or lose, Lewis steps into his car after home games and tells his driver to take him to the worst parts of Baltimore, the "hoods of hoods." He's been doing it for years.
Lewis scans the streets not all that far from M&T Bank Stadium, looking for drug addicts, the homeless, gang members that he can talk to.
"I need one person who I get in contact with to touch that day," Lewis said. "If I pass by two or three, that's a bonus."
Lewis didn't want to share any details on the people he meets. They're situations that people don't want to hear about, he said, some of "the greatest horror you've ever seen in your life." Once, even Lewis' car was broken into.
"The question they always ask is, 'What are you doing out here?'" Lewis said. "And I ask the question back, 'What are you doing out here?'
"I grab them and tell them, 'Your life is about to change today. But you've got to make up your mind to make that decision. Make the decision to get off the dang corner.'"
While many NFL players are pushed to help those in need, Lewis seeks it out himself. He hears gut wrenching stories on the news, often in which a child is in need, and immediately finds a way to reach them.




Lewis spearheaded a fundraiser for the boy and personally took financial responsibility for his well-being. More than that, Lewis has offered Armstrong as much of his time as he wants.One such interaction was in late April, when Lewis sought out La'Shaun Armstrong, the 10-year-old survivor of the Hudson River tragedy. Armstrong lost his mother and three siblings when Lashanda Armstrong drove their van into the water. His biological father is in prison.
"I'm in touch with him as much as he wants to be in touch with me," Lewis said. "I want to give him structure, I want to give him peace and give him a true friend who will say, 'I'm here for you.'"
There are so many other examples that have gone untold.
There's Girvin, whom Lewis first met at a routine Make-A-Wish appearance before last year's game in Houston. The two just clicked. They shared favorite Bible verses and prayer. When Lewis found out two weeks ago that Girvin's brain tumor had taken the 17-year-old boy's life, he crumpled into his locker.
There's Darious, a local boy in need of a heart transplant. He and his mother were traversing the country looking for answers when Lewis heard their story and told them from then on he was footing the bills. Lewis got a text two weeks ago saying Darious' first procedure was a success.
"It will blow your mind what motivates me each day to keep going. It's situations like that," Lewis said with a broad smile. "Those are the relationships I keep."

'Doing Business On A Big Scale'

When Frederick Bealefeld was appointed Baltimore Police Commissioner in 2007, he soon received a call from Lewis. The linebacker wanted to sit down and talk.


"I was a little leery of him coming in, I will admit, for all the reasons people think of and more," Bealefeld said.
"But the first thing you learn about Ray Lewis is, if he's talking to you about hula hoops or recovery for drug addicts, he is absolutely sincere and 100 percent dedicated."
Lewis and his foundation have long helped at-risk youth and low-income families. They serve 400 families during their annual Turkey Give Away, which is going on its eleventh year, hold an annual Christmas gift-drive and give away 200 backpacks filled with school supplies every September.
They have started a program called "Ray's Kids with Character," which encourages those between the ages of 5 and 18 to gain badges of honor in 10 areas of achievement such as academics, community service and even financial literacy.
But Lewis wants more.
Last year, Lewis and Bealefeld kicked off a fitness program in which the linebacker personally trained Baltimore's police once a week during the football season. Lewis' goal wasn't to just get cops in shape. He spoke to them about being healthy people, physically and mentally.
"Ray was coming from an aspect that if there was a professional police force and we were able to get these cops in the right frame of mind, then that will help transform neighborhoods," Bealefeld said. "We're doing business on a big scale to make big changes and make big efforts."
Lewis' new plan, which he hasn't unveiled yet, is to train all of Baltimore. He wants to host a fitness program every Tuesday on his street, Ray Lewis Way.
He wants every person that comes to his street to get clothes on their back, to be fed, to walk away with a jug of water and some hope.
"We've got to change the thought process of our city," Lewis said with a campaigning politician's fervor.
"We can't have areas that are so beautiful and then other areas so cruddy. They have no vision in those places. I'm challenging the communities to come out together. Let's clean up the streets together. Let's stop looking at one person struggling and wondering what we should be doing. Everybody get in."
Lewis saw the extra free time allotted by the lockout as an opportunity for players to get out in the community. He personally picked up the pace, doing more than ever before.
Now that the season has started, Lewis hasn't slowed down. His phone is constantly ringing, constantly filling with emails and text messages from people asking for a quick word of encouragement.
By this point, Lewis estimates his rolodex is filled with thousands of people.
"My life never stops, and I've dedicated myself to that," Lewis said. "A lot of times, I'm not going to lie to you, it's the most draining thing ever. But that's my calling, to really reach out and touch people in a totally different way."


'The Ambassador Of Baltimore'

One of Lewis' proudest moments came on May 11, 2010, a drizzly day at the corner of North Avenue and Broadway in Baltimore.
It was the day Lewis had a street named after him, "Ray Lewis Way."
The dedication ceremony brought the seemingly unbreakable linebacker to tears.
"You read about things like that when people are dead," Lewis said. "For someone to honor your heart while you're alive by saying, 'This will be an inspiration to people for the rest of your physical life,' that's hard for me to grasp."
Those who have met Lewis, those in Baltimore, see him in a true light.
"In life, you've got to judge people by what they're doing," Bealefeld said.
"When kids run to him, they run to see Ray Lewis the role model, Ray Lewis the achiever, Ray Lewis the winner. That's how I've come to view Ray Lewis. This is a man dedicated to trying to do positive things. He is the ambassador of Baltimore."

Ed Banger Standout Passes at 34




This picture was from a post Coachella party that Jeremy Scott hosts in Palm Springs at Frank Sinatra's old house. It went until the wee hours of the morning when it concluded with about 10 of us dancing around to Mehdi and Busy P alternating between dance classics and 90's Hip Hop. A very memorable experience.

Mehdi Faveris-Essadi, known by his stage name DJ Medhi, was French-born and of Tunisian descent. He first gained ground for his underground work in France's hip hop scene, and started to really get noticed when he signed with French electro label Ed Banger Records. The young producer had collaborated with a number of big names, including MC Solarr, Daft Punk, Cassius, Carol King, and with Chromeo on his single "I Am Somebody," Mehdi was celebrating the birthday of his friend on the mezzanine of his place when the roof collapsed. Mehdi was the only one to die while 3 others were hospitalized. Another legend has left us....
RIP.RIP.RIP
1/20/77-9/13/11

Tuesday, August 30, 2011

Slipping into Fall

 Russian River
What's up with the moustache craze?
 Healdsburg Farmers Market Est. 1978








The Modern Gentleman

 Quail Egg Sandwich

 Bahhhhh
 Fishy
 Vegan Art

 Killing it American Style
 Couples Time
 SF Fog Dog

The International Gentleman

This mix is live on the fly playing around in my African, Ethnic and Latin crates. I love this type of music. It's nice anytime of the day and just about anywhere.  Hope you enjoy it!!!!!!!!

Wednesday, August 10, 2011

The Yay or Nay Presents Spank Rock

Farmers Market Treats

Grilled Turkey Sandwich: with heirloom tomatoes, spinach, cheddar cheese, avocados and pesto. Local white peaches and all veggie drink. $10 at Pacific Beach Farmers Market on tuesdays. 

Red and yellow heirloom tomatoes with basil pesto, mozzarella, chili flakes, salt. pepper and fresh mint. PB Farmers Market

Parmesan Cheese Crusted Stuffed Chicken Breast: with sauteed crimini mushrooms, sun dried tomatoes, fresh basil, mozzarella cheese, salt and pepper.

Heirloom tomato salad with fresh basil, olive oil, balsamic, salt and pepper
and the grilled stuffed chicken.

La Jolla Farmers Market: Sunday's Score

Tuesday, August 9, 2011

Pacific Festival


Thanks to Pie Artists big Cheese Stevie D I will be attending Pacific Festival in a beautiful location in Orange County. I'm looking forward to seeing friends BRAZZABELLE and Posso along with Cut Copy, !!!, Calvin Harris (Maybe), Toro y Moi, Bag Raiders, Black Lips, Poolside, Jaques Renault and the Cosmic Kids. Stay tuned for coverage after the event. 

Answers to Questions


As one of the world’s most refreshing rappers, Spank Rock has owned us. Shame he thinks hip-hop is almost dead...
Spank Rock, AKA Naeem Juwan, has had a turbulent time since his groundbreaking, critically acclaimed riot of crude sex references and party time debut album ‘Yoyoyoyoyo’. It’s been six years between that and his sophomore offering, spectacularly titled ‘Everything Is Boring And Everyone Is A Fucking Liar’. He’s a thoughtful man, obviously somewhat introspective, and laughingly asks how long do I have when I ask him how things are.
How am I generally? This is gonna be a long interview! How much time do you have?
I'm good man. I've been having a lot of new experiences, so I'm trying to catch up with everything. It's funny, you know, I think when I put out my first record the music industry wasn't affected by the internet. It was really cool. Really amazing artist were getting attention and we were hearing things that we wouldn't have heard before. And now the internet is the fucking internet. It's like a monster it's like throwing shit into this cloud. This dark cloud.
It's been funny watching something that was a food tool for me in the beginning turn into something that is potentially ruining people's experience of music.
Because there's so much of it?
I don't think there being so much of it is a real problem - people can decide for themselves what they like and what they don't like. I think it's more about the way consumerism acts so quick and trends just come flying in and out. At first you could be like the biggest band for like a year or maybe two. Now you're the biggest band for a month or a week.
It's strange because I think it's affecting the way young kids are making music too. I think a lot of people make it to get a quick, instant reaction from people instead of really affecting them. Because ultimately you want people to like you and be famous and shit. You want to be 'oh shit, I'm the dopest band right now, I'm on every blog.' and you forget that you should be in the studio working and thinking about these things, but I feel like artists are thinking about their image and style and YouTube hits more than they are thinking about making music. I'm trying to figure out what all this means - if I have to redefine what success is for me.
Success for me is like if you were a big band in the '90s, then you had a lot of money and you sold a lot of records. Now it's like you can only make money from being famous - being a star and not from being a musician. So for me to decide that I want to be a good musician, means that I might have to potentially redefine what success means to me. (Laughing). It kinda weird
Last time I saw you was at the Smirnoff show - was that where you hooked up with Pharrell?
It's funny because he let me come on and rap during his set at that show. I was freaking out, I didn't know what the fuck to do with that, but I guess the collaboration with Pharrell maybe started there. I was on his radar at that time, but it's taken a while since then to actually get him in the studio.
Is that why it's taken so long for this album to come out? Trying to pin all the collaborators down?
A lot of fucked up shit happened actually! (LAUGHS) Everything that could possibly go wrong did go wrong. I remember starting the record in like a friend war with XXXChange and we weren't working together so I was like 'how the fuck am I gonna replace him?' To me he was like the most creative, interesting producer and we really connected. So I was bringing in this guy for some music and I was bringing in other guys to do other things. I had no idea what I was doing. I was going into Downtown studio on my own and inviting people in. I was in the director's chair for the first time. Before I'd just show up and rap, but now I had grander ideas of where it was going. So, things started off slow.
Then when I started figuring stuff out and had some song ideas. I was also dealing with what every artist has with their second album - people have reacted to your music from your first record and put you in a box and say 'this is what you do'. I was having a hard time knowing where to start off because everyone was coming in with a big heavy dance beat and asking me to rap about pussy and drugs, and I love rapping about pussy and drugs, but there was so much more in the first record that people missed out on. People were coming in expecting me to be Spank Rock, the crazy party kid, which I am, but I also have a lot of deep thoughts and politics referencing as well - There's a whole half of the YoYoYoYoYo album that no one paid attention too, they just paid attention to the party/sexy stuff and painted me that way in the media. There was quite a lot of fighting back against that so that kinda slowed things down for a bit.
Then once I was on a roll and I was killing it I thought I had all these great ideas, that's when my record label pulled out. No one was making a lot of money at the time and they'd given me a really good deal. They got nervous about me turning in a record and having to pay the second half of the advance and not knowing how it would compete with the rest of the industry. Unfortunately they wouldn't give me my files either so I couldn't go into the studio and work on them. It was sorta like I was shelved for six or seven months - I couldn't record music at all. All these little things kept happening and it took a long time. I'm stubborn and I wanna do the things I wanna do. I didn't get into this to work for a record company, I got into it to be an artist. Some shit fucked up.
This album isn't as lewd as the first one - there seems to be some kind of frustration in it and anger. Has that come from having to wait six months?
I think the frustration comes from politics. It's weird, you have this optimism when you see the world progressing and there's always this anchor which is holding everything back. Especially in America. We have a president right now who is so controversial and the two political sides in America are so split that nothing is being passed - it's just at a standstill. I think I also personally was at a standstill. You get angry when you want to move in the right direction - you can see where you wanna go but you just can't get through that door you know. There was some frustration from that
For me watching a lot of people in music get really famous and generically successful off of imitating a lot of things that I brought into culture was really difficult too.
I feel like I wrote certain songs on this album for certain people too. I wrote one song with my nephews and my little sisters and family, so there are some songs you wouldn't want them to listen to. Also I wanted to challenge myself to learn how to write in different ways.
Dance and Famous I really like - there's a bit in Dance that reminds me of rave culture and I'd definitely want to listen to it when I was fucked up.
Wow!
Do you see yourself as electro or hip hop? There are always people who will try and pigeon hole the likes of you and Amanda Black and Santigold. You all hang out and do a lot of things together. Do you ever think about which box people put you in?
I think we all can do a lot of different things to music. Amanda can sing and rap her ass off - she also knows a lot about music as well - she grew up listening to Mary J Blige and SWV, but also listening to Riot Girl. If you do that then you have an inner conflict of what you want to be RnB or Riot Girl? Santi's the same thing, she can sing, she can rap, she's one of the best song writers. What she likes in music isn't what the record industry would expect her to like.
They don't know how to push a black, female artist into culture when she has moments when she sounds closer to the Clash or Siouxsie Sioux and these weird influences where the audience they assume she has wouldn't be able to connect to. It's hard to figure out how to be yourself, when everyone needs to market you or sell you or something. You’re doing your shit thinking you've got a great taste in music and you can rap and you can sing and they're like 'yeah - you've got to fit into a box.'
We had a conversation with the guys distributing this record and they were asking which genre it should be put into. They were saying if they put it under hip-hop then I'll be competing in the hip hop charts and the range of what hip-hop sounds like in America is very small. But if they put in under electro, then it won't be on hip-hop's radar, and if it goes under pop then we'll be competing with fucking Katy Perry or Beiber so you can't go there. It's this weird thing. Whee do you put an eclectic artists? I think people don't care about the patience it takes to connect spiritually with like an artist who doesn't do something you can connect to immediately.
Like, for example, I wonder how absolutely amazing Gaga would be if she was in the music industry if she was in the '80s. Because I feel like all she has all these great ideas and they just fall into trance land. The song starts off so rad and cool and then the chorus hits and you realise you're just listening to a trance remix of Whitney Houston. You're like why did this happen? She's a brilliant writer, but because she has to fit in these really generic situations to sell music it just crushes everything. When you get artists like me and Santi and Amanda Blank that don't budge too much our careers start to suffer (LAUGHS).
The three of us are always on the phone together being like 'my life is falling apart' but championing each other align - we are a super group even if we're not making songs together.
Dance is the song I wrote for my 8-year-old nephew. I always think of the Muppet Babies when I sing that song. Famous is so like cheesy.
Boys Noize mixed the entire album and he produced I think maybe produced four songs on it. He approached me in Australia a year ago. He was like 'Why haven't you put anything else out? What's going on?' And i was like (pretends to cry) ' I can't figure it out. Everyone's quitting on me, this fucking sucks.' I was at a point where I just didn't know how I was going to get it done. He said if I needed any help then he's got me, so I played him some of the demos I was working on and went to Berlin that winter and finished it. It's what I needed. He was totally patient. He helped mend a little wounded bird (laughs)
Did you feel like you had something to prove?
I used to think that I had something to prove, but then I was like 'it's pointless'. I'm scared to say this because it's in an interview, but I feel like it's irrelevant. Who am I competing with? If there was actually people that I respected that i was competing with, then I might feel I had something to prove. But it's just like I htinkg the state of hip-hop is one definite fucking mess. Creativity in general exists in very small, specific spaces. Every time i step into the studio with someone, they're like "Yo, let's do something like this." And it's always some retro let's recreate some fucking thing. I can't see how that has anything to do with anything I experienced in the last two months. It has nothing to do with all the cool, new music that's being produced in London. I'd rather go and look at Animal Collective or Dan Deakin and think how I can flip that in an interesting way, instead of going back to the fucking '80s and '90s and reliving these bullshit things. SO it's hard for me to say I have anything to prove.
Who am I proving it to? No one cares! It's not even like a competitive spirit amongst each other to make things that are creative and interesting. The competitiveness right now is about how famous you get and who you're working with and how much money you're making. The only way to make money in the music industry it means you’re producing Beyonce records. And as much as I think Beyonce is a wonderful talent, I think it's pretty generic. It's not I'm inspired by, I'm spending all day listening to Connan Mockasin and Late Of The Pier and I spend all day listening to Metronomy thinking that these guys really are on to something. Connan's on another level, you don't hear him trying at all. That's the way I want to be, like a force of nature - but that's not how people relate. I'm already proven amongst my friends, I guess the public has nothing to do with it

Monday, August 1, 2011

Spank Rock - "DTF DADT" (Official Music Video)

Philly based and Baltimore raised. SpankRock album is about to drop. Here is the first video from the 2nd song released off the album. SpankRock has teamed up with Philly friends Scott and Karl from Toro y Moi fame on the video. BoyzNoize is doing most of the producing for the album. This is going to be a banger.  Look for them on tour with Ke$ha and LMFAO. Not sure how I feel about the lineup but I hope to make it out to there San Diego show at San Diego State September 18th.